Creative, photography and video
Producing the material the campaign runs on: films, ads and product photography.
What you get
The material the campaign runs on
Films, still ads and product photography. In a paid campaign the creative is the variable that moves the most, and it is also what wears out fastest — which is why we produce in series rather than one piece at a time.
Ten films we produced are on the work page, and each one plays there.
- Social films in vertical and in wide formats, with subtitles
- Variants of the same message, so there is something to swap in when an ad wears out
- Product photography on a clean background and in context
- Adapting an existing asset to the other formats, instead of producing from scratch
How it runs
From an angle to a file ready to upload
- 01Concept
One angle per series — what the viewer is meant to understand in the first three seconds.
- 02Production
Shooting, or assembling from existing material, depending on what the angle needs and what you already have.
- 03Edit and variants
A main version, then the derivatives: different openings, different aspect ratios, with and without subtitles.
- 04Delivery
Files ready to upload. If we also run the campaign, they go straight into it.
What we need from you
Access to the material and the people
- Products to shoot, or a place and a time if we are shooting at yours
- Logo and brand files if they exist; if they do not, we will tell you what is missing
- One person who approves — a committee is what holds productions up
- Deciding in advance who appears on camera and what they are allowed to say
Next step
Send us what you have today — photographs, older films, a website — and we will say what can be reused and what has to be produced.